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e-Book Montage (Cinema Aesthetics MUP) download

e-Book Montage (Cinema Aesthetics MUP) download

by Sam Rohdie

ISBN: 0719070392
ISBN13: 978-0719070396
Language: English
Publisher: Manchester University Press; 1 edition (October 30, 2006)
Pages: 160
Category: Movies
Subategory: Drollery

ePub size: 1268 kb
Fb2 size: 1189 kb
DJVU size: 1400 kb
Rating: 4.7
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Montage (Cinema Aesthetics MUP) Paperback – March 6, 2007. Sam Rohdie is Professor of Cinema Studies in the Department of Film and Digital Media at the University of Central Florida.

Montage (Cinema Aesthetics MUP) Paperback – March 6, 2007. by Sam Rohdie (Author). Series: Cinema Aesthetics MUP. Paperback: 160 pages.

О себе: Aesthetics Of Cinema

О себе: Aesthetics Of Cinema. A page showcasing the Aesthetic of cinema.

Comprised of a series of elegantly-written and intellectually vibrant essays, Sam Rohdie's book carefully expresses his ideas and arguments in a manner free from the complexities of contemporary theory and cultural criticism.

Metric montage refers to the length of the shots relative to one another. Regardless of their content, shortening the shots abbreviates the time the audience has to absorb the information in each shot. This increases the tension resulting from the scene. The use of close-ups with shorter shots creates a more intense sequence (Figures . 5 and . 6). Figure . 5 Potemkin, 1925. Courtesy Janus Films. Still provided by British Film Institute.

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Are you sure you want to remove Montage (Cinema Aesthetics) from your list? Montage (Cinema Aesthetics). Published March 6, 2007 by Manchester University Press.

Since the 1970s, many academics and teachers have been taking the study of film out of film studies by producing curricula and critical literature hostile to notions of artistic endeavour and aesthetic value. Comprised of fourteen chapters, the book opens with studies of Louis Feuillade, Jean Painlevé, Jean Vigo and Georges Franju.

As much a book written with the cinema as about it, Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, . Griffith, Howard Hawks, Lev Kulsehov, Sergei Eisenstein and Alfred Hitchcock. It offers new and fascinating perspectives on mise en scène, framing, shots, and narrative variation.

This book is an innovative attempt by a leading film theorist to locate cinema-from the earliest experiments, via the work of Federico Fellini, Alfred Hitchcock, Roberto Rossellini, Orson Welles and many others, to contemporary European.

This book is an innovative attempt by a leading film theorist to locate cinema-from the earliest experiments, via the work of Federico Fellini, Alfred Hitchcock, Roberto Rossellini, Orson Welles and many others, to contemporary European art cinema- alongside philosophy, painting, geography and travel in terms of a history of modernism. The focal point of Promised Lands is a vast collection of geographical and ethnographic films and photographs made around the world, The Archives of the Planet.

Montage enters into a dialogue with the cinema, probing and playing with its language of motion and stillness, continuity and discontinuity, constraint and openness, time and duration. Comprised of a series of elegantly-written and intellectually vibrant essays, Sam Rohdie's book carefully expresses his ideas and arguments in a manner free from the complexities of contemporary theory and cultural criticism. As much a book written with the cinema as about it, Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, D.W. Griffith, Howard Hawks, Lev Kulsehov, Sergei Eisenstein and Alfred Hitchcock. It offers new and fascinating perspectives on mise en scène, framing, shots, and narrative variation. In combining the sensitive analysis of film forms and structures with an awareness of their historical and artistic relation to other art forms, it also elucidates an appreciation of montage aesthetics that is attentive to the influences of photography, painting and other arts. Montage is a book that will enrich our ways of seeing, understanding, and enjoying the cinema.
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