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e-Book Talk Fiction: Literature and the Talk Explosion (Frontiers of Narrative) download

e-Book Talk Fiction: Literature and the Talk Explosion (Frontiers of Narrative) download

by Irene Kacandes

ISBN: 0803227388
ISBN13: 978-0803227385
Language: English
Publisher: University of Nebraska Press (September 1, 2001)
Pages: 285
Category: Television
Subategory: Drollery

ePub size: 1124 kb
Fb2 size: 1901 kb
DJVU size: 1420 kb
Rating: 4.8
Votes: 749
Other Formats: txt mobi mbr lit

Talk Fiction: Literature. has been added to your Cart. In this engaging book, Kacandes (German studies and comparative literature, Dartmouth) tries to enlarge understanding of the rhetoric of fiction by creating a new category: talk fiction.

Talk Fiction: Literature. Kacandes has done a good service, in clear English, in calling readers back to rhetorical categories that make up fiction. Irene Kacandes is an associate professor of German studies and comparative literature at Dartmouth College. Series: Frontiers of Narrative.

Talk Fiction: Literature and the Talk Explosion (Frontiers of Narrative). Download (pdf, 917 Kb) Donate Read. Epub FB2 mobi txt RTF. Converted file can differ from the original. If possible, download the file in its original format.

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In this innovative, multidisciplinary work, Irene Kacandes reads contemporary fiction as a form of conversation and as part of the larger conversation that is modern culture. Within a framework of talk as interaction

In this innovative, multidisciplinary work, Irene Kacandes reads contemporary fiction as a form of conversation and as part of the larger conversation that is modern culture. ISBN13: 9780803227385.

Home Browse Books Book details, Talk Fiction: Literature and the Talk Explosion. In this innovative, multidisciplinary work, Irene Kacandes reads contemporary fiction as a form of conversation and as part of the larger conversation that is modern culture

Home Browse Books Book details, Talk Fiction: Literature and the Talk Explosion. Talk Fiction: Literature and the Talk Explosion. In this innovative, multidisciplinary work, Irene Kacandes reads contemporary fiction as a form of conversation and as part of the larger conversation that is modern culture. Within a framework of talk as interaction, Kacandes considers texts that can be classified as "statements," that is, texts that wholly or in part ask for their readers to react- to talk back-to them in certain ways.

Irene Kacandes-Talk Fiction Literature and the Talk Explosion (Frontiers of Narrative) (2001). Uploaded by. sose2012.

Irene Kacandes Talk Fiction: Literature and the Talk Explosion Page 114 0803227388 - 2001 - A very different form of textual witnessing is illustrated by novels like Monika Maron's The Defector (Die Oberlauferin 1986)

Irene Kacandes Talk Fiction: Literature and the Talk Explosion Page 114 0803227388 - 2001 - A very different form of textual witnessing is illustrated by novels like Monika Maron's The Defector (Die Oberlauferin 1986). Rosalind Polkowski, Maron's protagonist, displays such symptoms of PTSD as insomnia, hallucinations, and social withdrawal. More importantly for my purposes here, the text "tells" her story through fragmentation, flashbacks, achrony, repetition, and elision, narrative techniques that could be said to mimic symptoms of the traumatized psyche.

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Irene Kacandes - Talk Fiction: Literature and the Talk Explosion (Frontiers of Narrative). Читать pdf. Irene Kacandes - Talk Fiction: Literature and the Talk Explosion (Frontiers of Narrative). Irene Koshik - Beyond Rhetorical Questions: Assertive Questions in Everyday Interaction (Studies in Discourse and Grammar, Volume 16). Irene Koshik.

Everywhere you turn today, someone (or something) is talking to you—the television, the radio, cell phones, your computer. If you think some of the novels and stories you read are talking to you too, you're not alone, and you're not mistaken. In this innovative, multidisciplinary work, Irene Kacandes reads contemporary fiction as a form of conversation and as part of the larger conversation that is modern culture. Within a framework of talk as interaction, Kacandes considers texts that can be classified as "statements," that is, texts that wholly or in part ask for their readers to react— to talk back—to them in certain ways. The works she addresses—from writers as varied as Harriet O. Wilson, Margaret Atwood, William Faulkner, Virginia Woolf, Graham Swift, Günter Grass, John Barth, Julio Cortázar, and Italo Calvino—conduct their interactions in certain modes to accomplish different sorts of cultural work: storytelling, testimony, apostrophe, and interactivity. By focusing on texts within these groupings, Kacandes is able to relate the different modes of talk fiction to extraliterary cultural developments in our oral age—and to show how such interactions, however contrary to the dominant twentieth-century view of literature as art for art's sake, help to keep literature alive and speaking to us.
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