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e-Book Burma Chronicles download

e-Book Burma Chronicles download

by Guy Delisle

ISBN: 0224087711
ISBN13: 978-0224087711
Language: English
Publisher: Jonathan Cape (April 1, 2009)
Pages: 272
Category: Graphic Novels
Subategory: Graphic Novels

ePub size: 1831 kb
Fb2 size: 1952 kb
DJVU size: 1563 kb
Rating: 4.9
Votes: 384
Other Formats: txt lrf mobi azw

Only 19 left in stock (more on the way). Perhaps in response to the censoring nature of the Burma dictatorship, Delisle deliberately renders governmental officials not in his signature simplistic style but in fully-featured and in some instances downright frightening detail, as on page 22 a girl fawning over his baby retrieves her father, referred to merely as "the patriarch," and presents him like a stiff and leering corpse (23).

Burma Chronicles (French: Chroniques Birmanes) is a 2007 Canadian graphic novel written and illustrated by Guy Delisle. Burma Chronicles is a travelogue about Delisle's time spent in Burma with his young son, Louis, and his wife, Nadège, an administrator for Médecins Sans Frontières (MSF). Originally written in French, the book was translated into English by Helge Dascher and published by Drawn and Quarterly in 2008.

Burma Chronicles book. This graphic novel is similar to his other travelogues I've read, Pyongyang and Jerusalem, in that he draws his day-to-day life and his experiences in the region.

Guy Delisle (born January 19, 1966) is a Canadian cartoonist and animator, best known for his graphic novels about his travels, such as Shenzhen (2000), Pyongyang: A Journey in North Korea (2003), Burma Chronicles (2007), and Jerusalem (2011). Delisle studied animation at Sheridan College in Oakville, near Toronto, and then worked for the animation studio CinéGroupe in Montreal. He later worked for different studios in Canada, Germany, France, China and North Korea.

Burma Chronicles, Guy Delisle. A unique take on Burma, Guy Delisle’s Burma Chronicles is a graphic novel depicting the year Delisle spent in the country with his wife and young son, and their surreal experience of dealing with the autocratic military junta which ruled the country. Written in Delisle’s typically unadorned and minimalistic style, Burma Chronicles is a simple but hugely enlightening book which reveals the graphic novel’s capacity for reportage

Burma Chronicles is a book which manages to do this in a very intimate, personal, mellow sort of wa. I can't think of another comic book that illustrates this more elegantly or clearly than Guy Delisle's work.

Burma Chronicles is a book which manages to do this in a very intimate, personal, mellow sort of way. Delisle isn't an activist, he isn't oppressed in any way, but every day in Myanmar he is affected by the ruling dictatorship of the country he is in. When he goes for a walk he notices that a nearby neighbor is actually a well-known politician, under house arrest for many years.

The Guy Delisle Chronicles is a documentary following the gradual realisation of the artist's latest travelogue.

Delisle's deft and recognizable renderings take note of almsgiving rituals, daylong power outages, and rampant heroin use in. .line, and interspersed with wordless vignettes and moments of Delisle's distinctive slapstick humor.

Delisle's deft and recognizable renderings take note of almsgiving rituals, daylong power outages, and rampant heroin use in outlying regions, in this place where catastrophic mismanagement and iron-handed rule come up against profound resilience of spirit, expatriate life ambles along, and nongovernmental organizations struggle with the risk of co-option by the military junta. Burma Chronicles is drawn with a minimal.

Guy Delisle's newest travelogue revolves around a year spent in Burma (also known as Myanmar) with his wife and son. Burma is notorious for its use of concealment and isolation as social control: where scissor-wielding censors monitor the papers, the de facto leader of the opposition ha. Burma is notorious for its use of concealment and isolation as social control: where scissor-wielding censors monitor the papers, the de facto leader of the opposition has been under decade-long house arrest, regions are effectively cut off from the world, and rumour is the most reliable source of current information. An impressive and moving work of comics journalism from the author of Pyongyang and Shenzen.

After developing his acclaimed style of firsthand reporting with his bestselling graphic novels "Pyongyang: A Journey in North Korea" and "Shenzen: A Travelogue from China", Guy Delisle is back with "Burma Chronicles". In this country notorious for its use of concealment and isolation as social control - where scissors-wielding censors monitor the papers, the de facto leader of the opposition has been under decade-long house arrest, insurgent-controlled regions are effectively cut off from the world, and rumour is the most reliable source of current information - he turns his gaze to the everyday for a sense of the bigger picture. Delisle's deft and recognisable renderings take note of almsgiving rituals, daylong power-cuts and rampant heroin use in outlying regions, in this place where catastrophic mismanagement and ironhanded rule come up against profound resilience of spirit, expatriate life ambles along, and non-governmental organisations struggle with the risk of co-option by the military junta. "Burma Chronicles" is drawn with a minimal line, and interspersed with wordless vignettes and moments of Delisle's distinctive slapstick humour.
Comments:
Wohald
Presented primarily in tidy iconic panels, Delisle's Burma Chronicles paints a vivid portrait of the incredibly isolated though vastly intriguing Burma culture examined by a stay-at-home-abroad dad limited by constant governmental censorship. Delisle discovers the Burma regime's intensive censorship campaign while reading a severely-edited Time magazine on pg.9 and commenting "In Myanmar, all magazines go through the censorship bureau. Articles that are unflattering to the country are systematically removed." The theme of censorship and its effects on Burma's citizens is omnipresent throughout the Burma Chronicles. The censorship bureau is acutely thorough, extensively editing the 80+ Myanmarian magazines every week (66). Moreover, the country's censorship extends to individuals. A small magazine snafu in which a government official is apparently criticized results in the mysterious removal of a student from Delisle's private cartooning class (197). A Nobel Prize winner is currently under mandated house arrest for her views against the government (33). Perhaps in response to the censoring nature of the Burma dictatorship, Delisle deliberately renders governmental officials not in his signature simplistic style but in fully-featured and in some instances downright frightening detail, as on page 22 a girl fawning over his baby retrieves her father, referred to merely as "the patriarch," and presents him like a stiff and leering corpse (23). The same drawing style used on this familial figurehead is used to depict the leaders of Burma as well--often in larger-than-life poses-- towering, for instance, over the country's deadly opium fields (207) or bulldozing homes (208). Delisle, by writing this account, is subverting the patriarchy's attempts to impose order through censorship of the Burma people.
It makes sense that Delisle's most enriching experience arrives late in the novel when he mediates at a Vipassana temple (246-254). By placing himself into the imposed silence of the monks, he experiences true happiness. He is at initially uneasy, his thoughts spinning wildly on page 250. Then he resolves to enjoy the experience of meditation in solitude. Basking in what amounts to a self-imposed censorship of the external struggles of the world around him, Delisle finds peace. Perhaps the Burma government could learn a lot from the monks who roam the streets, praying and accepting gifts of rice; as Delisle remains silently studying himself under their guidance, he is controlled and contented. His experience is self-reflective, beyond the sway of larger governmental censorship.

Cerar
This book was very eye opening about daily life in Burma at the time, some of the struggles the NGO and aid organisations go through to bring basic services to the rural populations and how people cope on a day to day basis with the repressive regime. It also showed a turnabout in the gender roles where the husband moved his life to support his wife in her career which is not usually the case. I found that Guy was a little bit of a complainer and at times was irritating, especially when he showed the importance and challenges of the work his wife did. I liked the cartooning style, it was very effective in conveying the tone of what was going on. It is a very good book and I would recommend it.

Fordrekelv
Once I started this book, I couldn't stop sneaking off to read it. It actually sucked me in and my whole world for 3 days was Burma, in black and white,

Not much else to say except that it is really like a blog with drawings and humor peppered here and there. Very easy to digest, and would be a great addition to any PoliSci course or literature course looking to go multi-modal or just change it up a bit.

I loved the fact that the hardcover does NOT have a (useless and gratuitous) dustjacket. The image that would be on the dustjacket is actually the hard cover.

Runeterror
That the book is not titled "Myanmar Chronicles" should be your first clue that there will be more than one look at the growing tyranny of the military regime. In a style like that of Pyongyang, he pecks away at the truth underneath the surface of cordial greetings and polite pretending that Burma is not in crisis.

However, in an environment not quite as accustomed to totalitarianism, the underbelly is not quite as easy to find as in North Korea and you will get a feeling that the author is not digging deep enough. After all, he is the tourist and the wife who is seeing all the strife, sickness, and poverty.

With that said, you will receive both a sense of how it feels to live there and what sets the people apart from others making them unique. There's also more information about the author himself and his motivations when traveling than in previous works, especially in understanding his style of art.

Altogether, this is definitely an engrossing work with more experimenting in the author's art and writing style that has some nice payoffs even if it is not as dark or dramatic as Pyongyang.

Debeme
Great book about a man how finds himself in a strange country, with a baby, not speaking the same language and the things that happens to him. The experience of traveling to a country so different and the language limitation was treated in a very funny way.
Very identifiable. I think it the best of the series, followed by Pyongyang.
Must read it!!

Ballalune
Our man abroad follows his wife to Burma/Myanmar for yet another wonderful travelogue. Boy, Burma really seems like a crappy place in some ways, but once again, Delisle makes the place fascinating, both for its Kafkaesque political situation as well as the amazing people and culture of the country. A great book.

Mightdragon
Burma Chronicles is the third book I have by Guy Delisle. I also read Pyongyang and Shenzhen, which were both interesting in their own way. Burma Chronicles is, I think, the overall best. He has learned how to deliver the humor, the sadness, the landscape of another place, another country, giving us the feel in both images and words. From him I learned about the Noble Prize winner Aung San Suu Kyi, about how the nation is run, about the water festival and many other things like malaria.
In fact the last few weeks Burma...excuse me, Myanmar, was in the news BECAUSE of that American who ended up staying with Aung San Suu Kyi. So I have gained knowledge that helped me understand the morning news. Amazing! A comic book helping me to learn. I hope he writes and draws more about the places he has been.

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