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Sir Gawain and the Green Knight (Middle English: Sir Gawayn and þe Grene Knyȝt) is a late 14th-century Middle English chivalric romance

Sir Gawain and the Green Knight (Middle English: Sir Gawayn and þe Grene Knyȝt) is a late 14th-century Middle English chivalric romance. It is one of the best known Arthurian stories, with its plot combining two types of folk motifs, the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish and English stories, as well as the French chivalric tradition.

Nicholas Stuart Gray (23 October 1922, Scotland – 17 March 1981) was a British actor and playwright, perhaps best known for his work in children's theatre in England. He was also an author of children's fantasy; he wrote a number of novels, a dozen plays, and many short stories. Neil Gaiman has written that Gray "is one of those authors I loved as a boy who holds up even better on rereading as an adult".

The story of Sir Gawain and the Green Knight that has survived into our day in this poem had been told in different versions for many years, perhaps for centuries, before it reached the form that we have now. Fore-shadowings of it may have existed in folk tales, and earlier variants of parts of it had been written in tales and romances, many of them as segments of the growing cycle of Arthurian legend that evolved through the later Middle Ages.

Start by marking Gawain and the Green Knight as Want to Read . Nicholas Stuart Gray (23 October 1922, Scotland - 17 March 1981) was a British actor and playwright, perhaps best known for his work in children's theatre in England.

Start by marking Gawain and the Green Knight as Want to Read: Want to Read savin. ant to Read. Neil Gaiman has written that Gray "is one of those authors I loved as a boy who holds up even better on rereading as an Nicholas Stuart Gray (23 October 1922, Scotland - 17 March 1981) was a British actor and playwright, perhaps best known for his work in children's theatre in England.

Home Michael Morpurgo Sir Gawain and the Green Knight

Home Michael Morpurgo Sir Gawain and the Green Knight. Sir Gawain and the Green Knight, . You will know their names as well as I do from stories that have come down to us through the ages: Sir Lancelot, Sir Percivale, Sir Galahad, Sir Tristram, dozens of them, too many to be listed here - and Sir Gawain, of course, who was the High King’s nephew. My story is of Gawain. Of all the tales of the Knights of the Round Table, his is the most magical and the one I most love to tell.

Publication date 01 Nov 1969. Publisher Dobson Books Ltd. Publication City/Country Durham, United Kingdom. Illustrations note Ill. ISBN10 0234770996. ISBN13 9780234770993. Learn about new offers and get more deals by joining our newsletter.

Gawain accepts and beheads him with his blow, at which the Green Knight stands up, picks up his head, and reminds Gawain of the appointed time. In his struggles to keep his bargain, Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving Lady Bertilak, the lady of the Green Knight's castle. Home Categories Great Britain Folk-Lore & Mythology. Hi! I'm Julie and I've been running Global Grey for almost 8 yrs. If you have a question, or just want to say 'hi', you can reach me at juliealgreyebooks.

Sir Gawain and the Green Knight is a late 14th-century Middle English alliterative romance outlining an adventure of Sir Gawain, a knight of King Arthur's Round Table. In the poem, Sir Gawain accepts a challenge from a mysterious warrior who is completely green, from his clothes and hair to his beard and skin, save for his red eyes

Nicholas Stuart Gray. For the headmaster of Eton, see Nicholas Grey. The Imperial Nightingale (1957). Sir Gawain and the Green Knight (1969).

Nicholas Stuart Gray. Perhaps his best-known books are The Seventh Swan and Grimbold's Other World. Gray often produced adaptations or continuations of traditional fairy tales and fantasy works, as in his Further Adventures of Puss in Boots.

Like most medieval literature, Sir Gawain and the Green Knight participates in several important literary traditions that its original audience would have instantly recognized. Medieval poets were expected to re-use established source materials in their own works. Modern readers sometimes mistakenly take this as evidence of how lacking in creativity and originality the Middle Ages were.