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e-Book Poetry as Performance: Homer and Beyond download

e-Book Poetry as Performance: Homer and Beyond download

by Gregory Nagy

ISBN: 0521558484
ISBN13: 978-0521558488
Language: English
Publisher: Cambridge University Press; Cambridge edition (January 26, 1996)
Pages: 268
Category: History and Criticism
Subategory: Literature

ePub size: 1243 kb
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Rating: 4.7
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Poetry as Performance: H. Rich in detail, knowledge and scope, Nagy's book (the culmination of years of work) offers a lucid, well-argued approach to these problems.

Multiform Epic and Aristarchus’ Quest for the Real Homer 6. Homer as Script 7. Homer as Scripture Epilogue. Dead Poets and Recomposed Performers Appendix Abbreviations and Bibliography. Poetry as Performance. Contact Us! About CHS.

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This book is a comparative study of oral poetics in literate cultures, focusing on the problems of textual fluidity in the transmission of Homeric poetry over half a millennium, from the Archaic through the Hellenistic periods of ancient Greece. It stresses the role of performance and the performer in the re-creative process of rmance.

Book Format: Paperback. 1 2 3 4 5 6 7 8 9 10 11 12.

Gregory Nagy (Hungarian: Nagy Gergely, pronounced ; born Budapest, October 22, 1942) is an American professor of Classics at Harvard University, specializing in Homer and archaic Greek poetry

Gregory Nagy (Hungarian: Nagy Gergely, pronounced ; born Budapest, October 22, 1942) is an American professor of Classics at Harvard University, specializing in Homer and archaic Greek poetry. Nagy is known for extending Milman Parry and Albert Lord's theories about the oral rmance of the Iliad and Odyssey. Nagy received his . from Indiana University in 1962 in classics and linguistics, and his P. from Harvard University in 1966 in classical philology.

Finding books BookSee BookSee - Download books for free. Poetry as Performance: Homer and Beyond. 349 Kb. Plato's Rhapsody and Homer's Music: The Poetics of the Panathenaic Festival in Classical Athens.

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Similar books and articles. Homer's Poetry Andrew Ford: Homer: The Poetry of the Past.

This book is a comparative study of oral poetics in literate cultures, focusing on the problems of textual fluidity in the transmission of Homeric poetry over half a millennium, from the Archaic through the Hellenistic periods of ancient Greece. It stresses the role of performance and the performer in the re-creative process of composition-in-performance. It addresses questions of authority and authorship in the making of oral poetry, and it examines the efforts of ancient scholars to edit a definitive text of the "real" Homer.
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