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e-Book The Colors of Zion: Blacks, Jews, and Irish from 1845 to 1945 download

e-Book The Colors of Zion: Blacks, Jews, and Irish from 1845 to 1945 download

by George Bornstein

ISBN: 0674057015
ISBN13: 978-0674057012
Language: English
Publisher: Harvard University Press; First Edition edition (February 1, 2011)
Pages: 272
Category: History and Criticism
Subategory: Literature

ePub size: 1711 kb
Fb2 size: 1397 kb
DJVU size: 1702 kb
Rating: 4.1
Votes: 307
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Drawing from a vast range of sources and crisscrossing periods and genres, he engagingly stitches together a history of black, Irish, and Jewish solidarity. The difficult relations of these three groups (blacks, Jews, and the Irish) are the centerpiece of Whiteness Studies, but the emphasis is invariably on their falling out and not their coming together-on the way, that is, that power of whiteness in American political culture makes it impossible for any long-term coalitions, partnerships, or sympathies across the color line.

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In this fascinating and persuasive study, Bornstein, the . Patrides Professor of Literature, Emeritus, at the University of Michigan, demonstrates that over the 100-year period between 1845 and 1945, the cooperative sympathies among Blacks, Jews, and Irish were deeply rooted and strong and that these areas of cooperation overshadowed the real differences and tensions that existed among these groups.

As George Bornstein says in his Introduction, he chooses to let the principals speak for themselves.

A major reevaluation of relationships among Blacks, Jews, and Irish in the years between the Irish Famine and the end of World War II, The Colors of Zion argues that the cooperative efforts and sympathies among these three groups, each persecuted and subjugated in its own way, was much greater than often acknowledged today. As George Bornstein says in his Introduction, he chooses to let the principals speak for themselves.

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Phrases such as "Black Irish" and "No Irish Need Apply" linger in the .

Phrases such as "Black Irish" and "No Irish Need Apply" linger in the popular psyche and attest to the sometimes savagely explicated anti-Irishness of the eastern US, while racism against Jews has been even more extensive and ingrained. Southern and Eastern Europeans, Hispanics and Catholics were also likely to experience discrimination for their supposed cultural inferiority and darker skin tones.

Drawing from a vast range of sources and crisscrossing periods and genres, he engagingly stitches together a history of black, Irish, and Jewish solidarity.

Blacks, Jews, and Irish from 1845 to 1945. A major reevaluation of relationships among Blacks, Jews, and Irish in the years between the Irish Famine and the end of World War II, The Colors of Zion argues that the cooperative efforts and sympathies among these three groups, each persecuted and subjugated in its own way, was much greater than often acknowledged today.

Keywords: blacks, Jews, George Bornstein, Irish, Colors of Zion.

George Bornstein writes in his book, The Colors of Zion, how African Americans were sympathetic to the plight of the Jewish American and vice-versa. The colors of Zion : blacks, Jews, and Irish from 1845 to 1945. Harvard University Press.

A major reevaluation of relationships among Blacks, Jews, and Irish in the years between the Irish Famine and the end of World War II, The Colors of Zion argues that the cooperative efforts and sympathies among these three groups, each persecuted and subjugated in its own way, was much greater than often acknowledged today. For the Black, Jewish, and Irish writers, poets, musicians, and politicians at the center of this transatlantic study, a sense of shared wrongs inspired repeated outpourings of sympathy. If what they have to say now surprises us, it is because our current constructions of interracial and ethnic relations have overemphasized conflict and division. As George Bornstein says in his Introduction, he chooses “to let the principals speak for themselves.”

While acknowledging past conflicts and tensions, Bornstein insists on recovering the “lost connections” through which these groups frequently defined their plights as well as their aspirations. In doing so, he examines a wide range of materials, including immigration laws, lynching, hostile race theorists, Nazis and Klansmen, discriminatory university practices, and Jewish publishing houses alongside popular plays like The Melting Pot and Abie’s Irish Rose, canonical novels like Ulysses and Daniel Deronda, music from slave spirituals to jazz, poetry, and early films such as The Jazz Singer. The models of brotherhood that extended beyond ethnocentrism a century ago, the author argues, might do so once again today, if only we bear them in mind. He also urges us to move beyond arbitrary and invidious categories of race and ethnicity.

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