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e-Book Concepts in Film Theory download

e-Book Concepts in Film Theory download

by Dudley Andrew

ISBN: 0195699548
ISBN13: 978-0195699548
Language: English
Publisher: Oxford University Press (2008)
Category: History and Criticism
Subategory: Photography

ePub size: 1904 kb
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DJVU size: 1589 kb
Rating: 4.7
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Concepts in Film Theory concentrates on the major areas of debate rather than on individual figures.

Only 11 left in stock (more on the way). Concepts in Film Theory concentrates on the major areas of debate rather than on individual figures. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study.

Concepts in film theory. by. Andrew, Dudley, 1945-. Books for People with Print Disabilities. Internet Archive Books. Narnine on October 20, 2010. SIMILAR ITEMS (based on metadata).

Home Browse Books Book details, Concepts in Film Theory. Concepts in Film Theory. A remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with a lucid introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts.

James Dudley Andrew (born July 28, 1945) is an American film theorist. He is R. Selden Rose Professor of Film and Comparative Literature at Yale University, where he has taught since the year 2000. Before moving to Yale, he taught for thirty years at the University of Iowa. Andrew has been called, on the occasion of one of his invited lecture series, "one of the most influential scholars in the areas of theory, history and criticism"

This book is designed for anyone with a serious interest in the art of film

This book is designed for anyone with a serious interest in the art of film. It is both a history of film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz. Andrew sets out these major theorists one against the other forcing them to speak to common issues, thereby making them reveal the bases of their thought. He compares the formative tradition with that of the realist to illustrate the development of both theories. OXFORD UNIVERSITY PRESS Oxford New York Toronto 1984. Bibliography: p. Includes index.

Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study - perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts.

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