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e-Book The Almain in Britain, c.1549-c.1675: A Dance Manual from Manuscript Sources download

e-Book The Almain in Britain, c.1549-c.1675: A Dance Manual from Manuscript Sources download

by Ian Payne

ISBN: 0859679659
ISBN13: 978-0859679657
Language: English
Publisher: Routledge (June 28, 2003)
Pages: 296
Category: Performing Arts
Subategory: Photography

ePub size: 1399 kb
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1675: A DANCE MANUAL FROM MANU. found in the catalog. Are you sure you want to remove ALMAIN IN BRITAIN, C. 1549-C.

1675: A DANCE MANUAL FROM MANU. 1675: a dance manual from manuscript sou. Almain in britain, C. 1 2 3 4 5. Want to Read. 1675: A DANCE MANUAL FROM MANUSCRIPT SOURCES. from your list? Almain in britain, C. Published by ASHGATE in ALDERSHOT. Written in Undetermined.

In viewing the Almain within its broader historical context, Ian Payne throws new light on the dance, arguing that, together with the ’measures’ which accompany.

All about The Almain in Britain, C. 1675: A Dance Manual from Manuscript Sources by Ian Payne.

While sources differ in some of the details, and not all contain all the dances, the vast majority describe the following dances in the following . The Almain in Britain, c. Hampshire, UK: Ashgate Publishing Lt. 2003.

The Almain in Britain, c. Stokes, James, and Ingrid Brainard. 'The olde Measures' in the West Country: John Willoughby's manuscript. Records of Early English Drama Newsletter 1. (1992): 1-10.

The Almain in Britain, . 549-C. 1675 associated with the Inns of Court is the first full-length study of these sources to be published.

New List New Article New Book New Video New Post New Score new. In: Music & Letters, Vol. 86, No. 1, pp. 109-114.

Payne, Ian: The Almoin in Britain, . 1675: A Dance Manual from Manuscript Sources (Aldershot, 2003). Rimbault, Edward . A Little Book of Songs and Ballads, Gathered from Ancient Musick Books MS and Printed (London, 1851). Pennant, Thomas: Tours in Wales, ed. John Rhys (Caernarfon, 1883). The Repertory of the Queen's Men, 1583–1592’, Modern Philology, 67 (1970), 321–30. Roberts, Enid: ‘Siôn Salsbri, Lleweni’, Transactions of the Denbighshire Historical Society, 19 (1970), 66–102. Roberts, Enid . ‘Marwnadau Telynorion’, Cerdd a Chân, ed. A Dance Manual from Manuscript Sources. Save up to 80% by choosing the eTextbook option for ISBN: 9781351546737, 1351546732. The print version of this textbook is ISBN: 9780859679657, 0859679659. Publisher: Routledge. Print ISBN: 9780859679657, 0859679659. February 2005 · Music and Letters. England and Spain, however, can boast manuscript sources, which, despite the rather skeletal nature of their contents, are all the more valuable because of their rarity. Few of them have received adequate scholarly attention.

Dr Ian Payne is an Associate Lecturer in Music at the Open University, UK. A Fellow of the Society of Antiquaries of London . this book by a musicologist who knows all the sources and can both play and dance will be invaluable to those involved in both sides of the artificial.

Irrespective of the dance material, the book is useful for musicians who encounter dance-based music in other contexts.

This complete scholarly edition of the collection of manuscript choreographies from c.1565-c.1675 associated with the Inns of Court is the first full-length study of these sources to be published. It offers practical reconstructions of the dances and provides a selection of musical settings simply but idiomatically arranged for four-part instrumental ensemble or keyboard.   Part One centres on the manuscript sources which transmit the Almain, and on the trends and influences that shaped its evolution in Britain from c. 1549 to c. 1675, taking account of both music and choreography.  In viewing the Almain within its broader historical context, Ian Payne throws new light on the dance, arguing that, together with the ’measures’ which accompany it in the choreographies, it owes an even greater debt to the English country dance than has hitherto been acknowledged, a popular style that received its fullest expression in Playford's English Dancing Master of 1651.   The second part of the book focuses on the dances themselves. The steps are described in detail and reconstructions provided for the nine Almains and some of the other measures included in the manuscripts. Part Three comprises a complete critical edition of the manuscripts.   These easily performable versions of the dances will be an invaluable aid to those wishing to learn the dances, reconstruct them for stagings of Shakespeare's plays or Jacobean masques, and for dance historians.
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