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e-Book Real World Camera Raw with Adobe Photoshop CS download

e-Book Real World Camera Raw with Adobe Photoshop CS download

by Bruce Fraser

ISBN: 032127878X
ISBN13: 978-0321278784
Language: English
Publisher: Peachpit Press (July 18, 2004)
Pages: 256
Category: Graphics and Design
Subategory: Technologies

ePub size: 1138 kb
Fb2 size: 1104 kb
DJVU size: 1914 kb
Rating: 4.7
Votes: 478
Other Formats: rtf docx lit mbr

Real World Camera Raw in Adobe Photoshop CS5 keeps pace with new directions in digital photography and raw image .

Real World Camera Raw in Adobe Photoshop CS5 keeps pace with new directions in digital photography and raw image processing.

Today serious photographers shoot raw images only. Real World Camera Raw with Adobe Photoshop was the first book devoted exclusively to the topic.

Электронная книга "Real World Camera Raw with Adobe Photoshop CS5", Jeff Schewe, Bruce Fraser. Эту книгу можно прочитать в Google Play Книгах на компьютере, а также на устройствах Android и iOS. Выделяйте текст, добавляйте закладки и делайте заметки, скачав книгу "Real World Camera Raw with Adobe Photoshop CS5" для чтения в офлайн-режиме.

Photoshop’s Adobe Camera Raw plug-in makes that process even easier by providing a standardized . Great book for those starting out in photoshop & the world of Raw files. Also some great tips for the seasoned pro photog.

In the first volume devoted exclusively to the topic, best-selling author Bruce Fraser shows you how to take advantage of Adobe Camera Raw to set white balance, optimize contrast and saturation, handle noise, correct tint, and recover lost detail in images before converting them to another format.

h a M a n t o F i s h. viii Bruce Fraser’s Legacy. x How the Book Is Organized. xi A Word to Windows Users. xii The Pace of Innovation

ptg ptg Real World Camer a R AW with Adobe photoshop CS5 Jeff Schewe and Bruce Fr aser Peachpit Press ber keley, califor nia ptg Real World Camera Raw with Adobe Photoshop CS5 Jeff Schewe. h a M a n t o F i s h. xii The Pace of Innovation. xiv Chapter One: Digital Camera Raw. 1 Exploiting the Digital Negative. 1 What Is a Digital Raw File?.

Real World Adobe Camera Raw in Photoshop CS3 keeps pace with new directions in digital photography and raw image processing. Jeff Schewe, a contributor to the development of Adobe Camera Raw from its beginnings, updates Bruce Fraser’s best-selling book with inside knowledge of how new features let photographers optimize and convert images for the best results in Adobe Photoshop CS3. Hands-on techniques show readers how to expose and shoot for raw image capture as well as use new features such as Spot Healing.

Автор: Bruce Fraser Название: Real World Camera Raw with Adobe Photoshop CS2 ISBN .

Описание: Photoshop& Adobe Camera Raw plug-in provides a way of working with uncompressed digital negatives in various image-manipulation softwares. This volume shows how to take advantage of Adobe Camera Raw to set white balance, optimize contrast and saturation, correct tint, and recover lost detail in images before converting them to another format.

In the first volume devoted exclusively to the topic, best-selling author Bruce Fraser shows you how to take advantage of Adobe Camera Raw to set white balance, optimize contrast and saturation, handle noise, correct tint, and recover lost detail in images 'before' converting them to another format.

Adobe Photoshop (Computer file), Photography - Digital techniques, Image processing - Digital techniques. Books for People with Print Disabilities. Internet Archive Books.

Jeff Schewe, on behalf of Bruce Fraser Chicago, June 2010. Download from ww. owebook.

Short Description Description. A Note About Camera Raw Updates Adobe has stated that Camera Raw will be updated three or four times per year. The Camera Raw . update was unusual in that it actually added new features and functionality. Jeff Schewe, on behalf of Bruce Fraser Chicago, June 2010. This page intentionally left blank.

Call it a control thing, but until recently--or, more specifically, until the availability of digital raw camera formats--you simply weren't ready to make the move to digital photography. Raw formats, however, changed all of that by allowing you to retrieve images before any in-camera processing has been performed. Photoshop's Adobe Camera Raw plug-in makes that process even easier by providing a standardized way of accessing and working with these uncompressed digital negatives in your favorite image-manipulation software. In the first volume devoted exclusively to the topic, best-selling author Bruce Fraser shows you how to take advantage of Adobe Camera Raw to set white balance, optimize contrast and saturation, handle noise, correct tint, and recover lost detail in images before converting them to another format. After learning about the raw formats themselves, you'll discover hands-on techniques for exposing and shooting for digital raw, using the File Browser to preview images and automate tasks, and building a workflow around the digital raw process.

Comments:
Alsardin
You need to understand RAW mode to get the most out of your digital photos. The fundamental reason is that they contain more editing headroom. By shooting in RAW, you can ignore all the camera settings other than ISO, exposure and shutter. This book also explains the linearity of camera sensors versus the non-linearity of our perception, which is why you want to expose as close to clipping highlights as possible. All of the other corrections are done by the camera to the RAW image, including sharpening, contrast and brightness control, noise reduction, spectral correction, barrel/pincushion distortion correction, color correction (tint, saturation and especially white balance), etc. etc. This effectively means I can ignore 90% of the menu options on my camera and only worry about exposure.

For me, the RAW converter can grab an extra stop of highlight detail over Canon's in-camera converter (EOS 5D) and does a better job at noise reduction. That alone is worth shooting in RAW.

I came to this book after seeing it recommended in Martin Evening's "Photoshop CS2 for Photographers" (an absolute gem) and the Adobe classroom in a book (a dud). Like Evening's book, this one assumes you're serious: you have print or web customers, need to calibrate color, need to archive, and want to automate as much as possible yet still retain creative options. Most of it's about gamma (digital's Zone System for contrast and highlight/mid/shadow detail) and color correction.

I found this book to be rather repetitious and far too filled with rah-rah-RAW prose. An even bigger chunk just walks you through the menus, buttons, etc. The remaining bit is worth the price of admission -- it tells you how to understand the conversions and then set up your workflow for the best balance (for you) between automation and creative control. I also like that it's written for photographers; if you don't understand histograms and gamma, this is probably not a good starter book.

Ironically, the images in this book are horrible. They're about the size of medium format transparencies (60mm or 2 1/4 inch square). I couldn't tell the difference between most of the compare-and-contrast pairs. Nor could my wife. The other drawback is that it's another Photoshop book that's being sold by the pound -- heavy paper, huge font, and very wide margins. Please make the pictures bigger next time.

Black_Hawk_Down.
I am not a professional photographer, rather an interested hobbyist. I just finished studying Camera Raw by Bruce Fraser. I use the term study, because it is a very "readable", but very technical manual which does a great job of explaining the basics of Camera Raw theory and implementation. I took this book with me on a vacation (it is not for vacation reading)and it honestly took me full week to read, re-read and re-read a third time to begin to fully grasp the beauty of a small book which goes from general theory, narrows the focus down to the working detail and then steps back and ties it all together at the end of each chapter and at the end of the book. Bruce Fraser is clearly a very talented writer and teacher. In addition to covering Camera Raw he also explains the use of the File Browser, Metadata, Workflow and Automation better than any other author I have read. If you are "baffled" by the Adobe Photoshop "Help" files explanation of the above, then just give this book a chance and you will come away feeling very much more in control of your Photoshop CS, your camera and your own "style" of using the above mentioned tools. The "clinical" examples are explained step-by-step with visuals of the actual photos and the computer displays to go along with each step in the production workflow. It is just filled with clinical "pearls" of information which all got highlighted with my yellow magic marker. In fact, when I finished, the whole book was one big yellow page, because it is all there with no wasted verbage.

My only critique is one of the printing format. To explain, I have to tell you that if you use bifocals (like I do) it is very difficult to actually see the small print in some of the displays of the actual Adobe menu boxes that are used as examples on at least every other page. So maybe, if this book is updated and re-published, Mr. Fraser could use larger type size in the examples. The type size of the narrative is perfect.

William E. Weddle, MD

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