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John Barth is the author of numerous works of fiction, including The Sot-Weed Factor, The Tidewater Tales, Lost in the Funhouse, The Last Voyage of Somebody the Sailor, the National Book Award winner Chimera, and most recently The Book of Ten Nights and a Night

John Barth is the author of numerous works of fiction, including The Sot-Weed Factor, The Tidewater Tales, Lost in the Funhouse, The Last Voyage of Somebody the Sailor, the National Book Award winner Chimera, and most recently The Book of Ten Nights and a Night. He taught for many years in the writing program at Johns Hopkins University. Teller, tale, torrid. inspiration: Barth's seventeenth book brings these three narrative 'roads' together inimitably, and thrice.

Internal Exile ("A Collection of a Boy's Own Stories") was Fish's second solo album after leaving Marillion in 1988. The album, released 28 October 1991, was inspired by the singer's past, his own personal problems and his troubled experiences with his previous record label EMI. The album's music reflects Fish's indulgence in the vast regions of music that he wanted to explore as a solo artist; most notably Celtic music and folk styles.

John Simmons Barth (/bɑːrθ/; born May 27, 1930) is an American writer who is best known for his postmodernist and metafictional fiction. John Barth, called "Jack", was born in Cambridge, Maryland. He has an older brother, Bill, and a twin sister Jill. In 1947 he graduated from Cambridge High School, where he played drums and wrote for the school newspaper.

John Barth is the author of numerous works of fiction, including The Sot-Weed Factor, The Tidewater Tales, Lost in. .

John Barth is the author of numerous works of fiction, including The Sot-Weed Factor, The Tidewater Tales, Lost in the Funhouse, The Last Voyage of Somebody the Sailor, the National Book Award winner Chimera, and most recently The Book of Ten Nights and a Night. For decades, acclaimed author John Barth has strayed from his day-morning routine of fiction-writing and dedicated Friday mornings to the muse of nonfiction. The result is Final Fridays, his third essay collection, following The Friday Book (1984) and Further Fridays (1995).

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John Barth has proven his ability to create interesting, fantastical yet plausible worlds with a deft magical realism. But I found this, his most recent collection, severely lacking and even cannibalistic-there are passages repeated from earlier stories of his verbatim! A sorely disappointing collection, in comparison to his eariler works.